Tuesday, October 25, 2011

The Three Non-Musketeers

Category: Movie Movers

"Tous pour un, un pour tous" (all for one, one for all)  ~from the Three Musketeers.


When we were young and unafraid; in our hearts sprung eternal longings. We were ambitious as a bald eagle that soared the clouds above Mt. Apo. We chased for the desires of our hearts. We swung our swords up high and sought bounties in the high seas. Sometimes we fell but we were not cast down. In this battleground of life, we were warriors. We wanted to toil in the battlefield. We loved to batter the enemies’ airships with treacherous muskets. We all wanted to be musketeers! 

But as the years passed by, and the ipil-ipil tree grew taller while more candles adorned our cakes; we started to get settled (contrary to Steve Jobs’ advice from that famous commencement speech: “Stay hungry, stay foolish... Don’t settle”).

But we settled anyway, on a cool dark theatre, perched in a comfortable, cozy, black sofa chair in front of the big screen. That new exquisite couch is one of the cool additions to an otherwise ordinary Cinema. We lie comfortably on our backs, as we ate a box of pizza, washed down with calamansi juice. Never had I been amazed with the Cinema chairs until I experienced this one! I imagined I would've had slept comfortably but the whooshing of swords and booms of the muskets kept me alert.

So here we are watching a prairie scene where a country boy bids farewell to his parents. He is going to Paris to realize his dream of being a Musketeer. When his father is about to give his parting words; The young D’Artagnan cut him off, promising that he is not going to get into trouble. But his father told him that he should run into trouble sometimes. Behold, as it was quoted countless of times; to grow old and wise, we must be young and stupid.









Monday, October 24, 2011

Ang Travel Friend Mo

Category: Powers of Poetry
Photo by JPG



Teka-teka...
Ilang bundok ang aking naakyat
Maraming pagkain ang saki'y nagpabusog
Libu-libong litrato ang nakolekta
Mga kweba, ating sinuong
Lumangoy pa tayo sa malamig na bukal,
at nagtampisaw sa batis ng talon
Sabay nating pinakinggan ang tunog ng mga kuliglig
Habang naglalakad kasama ang mga bituin
Mabangin, mabato, maputik man ang tinatahak
Sino ba ang kasa-kasama?
Tumulay pa tayo sa maliit na kable
at lumakbay sa kung saan-saan
Natulog tayo sa lilim ng hamog
Sa pulbos ng puting buhangin,
tayo'y nagtampisaw,
habang banayad na dinuduyan ng alon ang mga isda
Sabay nakita ang mga diwata ng dagat
nang ating itong sisirin
Dumaan na tayo sa mga iskinita
at lumipad ng higit pa sa mga ibon
At ating dinungaw sa bintana ang alapaap
at lumapag sa malalayong isla.

Sa paglalakbay, at pakipagsapalran
Ika'y kasama

Pero higit pa sa mga magagandang lugar
ay ang mga masasayang awitin at tawanan
Kung may mas masarap pa
sa sisig sa tuktok ng Batulao;
mapapasayaw ka rin ba sa ibabaw ng papag?
Mas may nakakatuwa pa ba sa magdamagang kwentuhan
at kantahan, at kulitan?

May mas hihigit pa ba sa mga halakhak,
May lalabis pa ba sa galak
at sa tuwa, sa pagkakaibigang tunay?

Ang mga ito ba'y nangyari kaya
Kung di tayo nagkasama?


-----
Para sa maraming summit pang aakyatin
At maraming beaches na lalaguyin
At sa maraming tea party-party
Sa maraming pictures
Sa maraming beers,
Sa marami pang 'crunchy'
Sa lahat ng walking distance
At sa walang kasing sarap na wines
--maligayang bati sa nadagdag pang taon ng pagkakaibigan.


For "songs that come free from the blue-eyed grass, from the dust of a thousand country roads"
"For ancient evenings and distant music", 
"For high plumage and southern winds",
"For the perigrines, the strangers, last cowboys."


Teka-teka! CHEERS! 

No Other Woman: The Under Cleavage

Category: Movie Movers


"Ang mundo ay isang napakalaking Quiapo, ang daming snatcher, maagawan ka, lumaban ka! "  ~Carmi Martin’s character in No Other Woman.


No other choice but to linger for a while. The rain is still pouring heavily outside making it impractical to go home yet. The bookstore doesn’t seem inviting either. I better roam around first. I notice two old people talking to the cashier at the Cinema’s ticket counter. I nose around, pretending to check what’s Showing. The old man hands an ID and signs the log sheet. In Makati City, senior citizens can watch movies for free. It’s sort of the Country for Old Men “Ganito kami sa Makati!”

A few minutes later I am inside the Cinema; the earhty-smell permeating the air.

Then the film rolls. The gorgeous Anne Curtis occupies the big screen as you try not to drift to the dream land of fantasy where Anne is your mistress. And you teleports to a care-free, high-flying resorts lifestyle of the character Anne portrays.


No Other Woman: a cocktail of fashion, butt shots, under cleavage, feisty bikini cat fights, and the all time one-liners.

The new box-office hit, eclipsing the previous top grossing films like Tanging Ina and Tanging Yaman; fulfils the viewer’s fantasy of “bawal na pag-ibig”, with the sexy blend of trendy fashion, carefree lifestyle, saucy bed scenes, and a lesson or two about the consequences of having an affair. It effectively connects with the viewers.

Aside from joining the gig of infidelity movies of the quarter (My Neighbor’s Wife, Friends with Benefits, etc.); it brings to mind the recent incident involving the much-publicized confrontation between a woman and her cheating husband in one of the malls in the metro. That video went viral and was even commented upon by one of the characters in the movie citing that women today are becoming more aggressive in fighting for their relationships. In the movie, the women are portrayed as strong individuals battling for their love. The battle is not like the low-class, violent confrontations we witness in real-life; but a contest of wit and character, and a cat fight with a touch of style and fashion. It’s a sparring of showcasing who has the trendiest bikinis and the exchange of sharp one-liners (a staple of tagalog box-office movies).

No Other Woman is a story about a gorgeous resort heiress, Kara Zaldriaga (Anne Curtis) who lives by the mantra: no strings attached. Living a liberated lifestyle, she gets into relationships with men and leaves them the moment they fall in love with her—a violation of her “rule”. She meets Ram Escaler (Derek Ramsey) -- a young business man building a family--who is there hoping to grab the contract to be the furniture supplier for the resort. She gets involved with him; and as her luck turns out, he is a married man. She dismisses the idea that they are having an affair stressing that she is not his mistress. One would only become a mistress if there are emotions involved. They are just two consenting adults having fun. Yet as the consequences unfold, the two becomes too attached to each other, sinning deliciously. Kara inevitably falls in love with Ram and ponders the question: “What would you do if the man you’re in love with is already married?” She vows not to give up without putting up a fight. Earlier than that, she boasts that she is not a mistress and never will be. It makes one recall the line by John Lloyd Cruz in his hit movie with Sarah Geronimo: “I am not jealous, I was never jealous! Ngayon lang.”

The meek yet feisty Charmaine Escaler (Cristine Reyes) discovers that his husband is having an affair. Encouraged by the witty Carmi Martin (Charmaine’s mother who’s sharp lines becomes viral), Charmaine decides to assert her status being the legitimate wife and fight for her marriage. Cristine Reyes is criticized for not faring well like Anne does in terms of acting, “sexy-ness” and looks. Yet, one would be in awe at how stunning and ravenous she looks on the confrontation scene in pool side; where the two hot girls clad in their two-piece’s are about to have a cat fight. Kara, on the other hand, wears a snake-skin printed bikini, that exquisitely shows her under cleavage (or Australian cleavage as defined by Wikipedia); to which Charmaine bitch-slapped, “Bikini mo ba yan, o balat mo?” There’s no argument however, that the movie is all about Anne Curtis—it’s her shining moment. And it’s not surprising that the “princess of all media” is would be the new box-office queen.

Love triangle, Extra-marital activities, and car accidents

Ram (Derek Ramsay) serves a cautionary tale about infidelity and its consequences. He is just a man trying to build his career and family whose reputation got tarnished when he yields to temptation. One single adulterous act almost ruined his dreams, his marriage and his life. Derek Ramsay’s movie is somewhat similar to that of her real-life girlfriend, Agelica Panganiban’s movie (with Aga Mulach and Maricel Soriano)—A Love Story. Shown in 2007, A Love Story is also about a love triangle involving extra-marital affairs. The difference is that, in No Other Woman, the characters are not presented as victims but strong individuals battling for their love.

It also makes us recall I Love You, Goodbye. A 2009 Tagalog movie of almost similar theme—starring Gabby Concepcion, Angelica Panganiban and Derek Ramsay—where Derek’s character was run over by a car. His death ends the infidelity, and makes the characters come to their senses; which is similar to what happened in No Other Woman, except that in the latter, he survived the car accident. It’s so formulaic of romantic tragedy to have the characters die in a car crash. Now it brings to mind Anne Hathaway’s character in One Day and Luis Manzano’s character in In My Life.

No Other Woman shows the cliché about men being weak creatures that easily succumb into lust of the flesh and that adultery is a violation of one of the Ten Commandments. And in marriage, there should be no other woman.



Several miles away, in Quezon City a boy is trying to convince his parents to watch a movie with him. His parents are not persuaded so he took a ride to the nearest mall--the one where that infamous shooting incident took place. When he presents his ticket, he is asked to show his ID to prove his age. (Though the movie is rated A by the Cinema Evaluation Board; it is rated R-13 by MTRCB). When he enters the theatre, he is surprised it is half empty. He can only hear the suppressed giggles of the invisible crowd concealed in the dark as the characters throw their one-liner. But when the light switches on, he realizes that the Cinema is almost  full.

It is the first time he watch a movie alone. He goes home to tell his little adventures. I remember, I watched the movie by myself, too. Thanks to the downpour.

Then he asks: “Ano ba ang mas mahirap kalaban, ‘yong putang mahirap o ‘yong putang  mayaman?”

I am compelled to answer: “Pare-parehong puta lang yon. Yong mayaman bumibili ng Hermes sa mall; yong mahirap, bumibili ng Hermes sa Greenhills”.




Image Source: google images
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